Willamette Week

Willamette Week organizes one of the best Oregon musical experiences of the year at their annual MusicFest NW, this year going down Sept. 3-6 (and not conflicting with the Eugene Celebration for once!). Held at Portland's variously harrowed and hailed venues big and small (Doug Fir, Crystal Ballroom, Wonder Ballroom, etc.), this is probably the only chance you'll get to see some of the darker indie kids dashing across town in broad daylight to catch a set by M. Ward. Like last year (Wolf Parade, Okkervil River, etc.), here's hoping some of these bands bleed down to Eugene before or after their MFNW set.

Here's the lineup (so far):

• Vampire Weekend
• TV on the Radio
• Mogwai
• The Murder City Devils
• Del the Funky Homosapien
• M Ward
• The Helio Sequence
• Xavier Rudd
• Old 97's
• Menomena
• Polvo
• Nada Surf
• The Cool Kids

PLUS: The Whigs • Jedi Mind Tricks • John Vanderslice • Dan Deacon • Seaweed • The Night Marchers • Blitzen Trapper • The Builders and The Butchers • Deerhunter • Steel Pole Bath Tub • Trans Am • Mirah • Fuck Buttons • Centro-Matic • Crooked Fingers • Bobby Bare Jr. • Monotonix • Fucked Up • Poison Idea • Matt and Kim • Nebula • These Arms are Snakes • Old Time Relijun • Colour Revolt • Death Vessel • Witchcraft • Stevie Jackson (of Belle and Sebastian) • The Blakes • The 1900's • Forro in the Dark • Bodies of Water • Rupa and the April Fishes • The Joggers • Supernova • Oxford Collapse • Calvin Johnson • Pierced Arrows • U.S.E. • Blue Giant • The Shaky Hands • Port O'Brien • The Mommyheads • Totimoshi • Sleepercar • Space Cookie • Akimbo • Past Lives • The Muslims • Pwrfl Power • The Devin Phillips Band • Kaia • Starfucker

Four-day wristbands bump up to $50 this year, but can you complain with this kind of action going on?

Willamette Week's Nigel Jaquiss has a cover story on the state attorney general race between former federal prosecutor John Kroger and state legislator Greg Macpherson.

Here's some highlights:

• "'I prosecuted Enron, and Greg’s firm represented them,' says Kroger."

• Eugene city attorney and Philip Morris tobacco lawyer Bill Gary boosts Macpherson for his work in cutting the cost of PERS: '“He’s shown exactly the kind of political courage that it takes to be AG,' Gary says."

• "Macpherson differs with Kroger on Measure 11, the law that provides mandatory minimum sentences for violent crimes. Simply put, Macpherson says he’s more willing to consider reducing sentences. 'We’ve gone on a prison-building boom and underinvested in other services,' he says."

• Consumer advocate Dan Meek criticises Macpherson for voting against a bill to close a loophole that allowed Enron to overcharge customers $1 billion: "'Macpherson was one of only two D’s in the legislature who voted against 408,' says utility lawyer Dan Meek."

Both Kroger and Macpherson are Democrats and there is no Republican challenger, so voters will decide the race in May.

Here's an earlier EW cover story on the race:

Two concerts attended.

In PDX: Spoon at the Crystal Ballroom (9/6/07)

In Euge: Wolf Parade at the WOW Hall (9/10/07)

Backstory: I have a theory that concergoers have been so star-struck by all those pesky music stories in Rolling Stone, SPIN, NME, etc. that always seem to focus on the rise of the stardom of the musician rather than, well, their artistic output, that, when said concertgoer arrives at concert venue two hours in advance and plants his/her butt front and center, the only thing on his/her mind is to watch, very carefully, the facial expressions of the Rock God Of The Moment and, when the mood suits, cameraphone a quick-snap to send off to the friends who need a good insult.

My theory also has been amplified by a short essay written by Willamette Week’s Amy McCullough after she visited a Decemberists show in Eugene last spring. The jist of her article is in the last line: [The Eugene crowd] was excited, and it turns out excitement is damn refreshing—whether it’s cool or not. So, apparently Portlanders take their constant barrage of good music, good shows and good venues for granted and Eugeneans don't. This leads PDXers to yawn where Eugeners yelp. Or so the theory goes.

The verdict on Spoon:

A band at the peak of their powers. Just released one of the most critically adored albums of the year. Have played nearly all the major music fests of the summer to much acclaim. Lead singer and guitarist Britt Daniel playing his newly-adopted hometown of PDX (Full Disclosure: Myself and some of my fellow EW staffers met Britt at the alt-weekly conference back in June. He was at an after-party. He chatted up Camilla. Molly and I squirmed. Britt sat on my sweater. The sweater has not been washed. We all fall prey to the celebrity mania, much as we hope we won’t.) Their energy was palpable. The crowd obviously knew most of their songs, as loud whoops went up with each opening chord. But did the crowd move? Not so much. At one point, Britt had to comment on the ridiculous layout of the Crystal Ballroom, which is awkwardly divided diagonalwise into the Under 18 or Those Who Want To Be In Front of the Stage section and the Over 21 and Wanna Hold a Beer Cup in their Paws While Watching the Band from A Distance: “Hey, we need to get the drinkers up in front.” I think I saw more cameraphones in the air than people dancing, but my study is not entirely objective.

The verdict on Wolf Parade:

I asked around before the show, “So, do you know much about Wolf Parade?” The answer was invariably “I heard they were cool, and I heard a few songs on their MySpace, but no, don’t know much about Wolf Parade.” The band announced at the start of their set that they were going to play some “new stuff” we probably never heard before “unless you were at our Portland show last night.” Also, they’d throw in a few “old songs” for good measure. The crowd could care less either way, such was their roar of approval. After a clunky first few songs in which there were gaps of minutes or more between songs in order to fine-tune guitars and switch amps (during which the crowd continued to roar), the band got their act together and, as is usually the case at some WOW Hall shows (if you’re lucky), a mosh pit broke out. (Or, as the Canadians called it, “Hey, that’s a fine circle pit.”) The crowd then experienced the music — the show, imagine that — as opposed to the antics of the band. Well, there was dancing. Moshing. A few intrepid crowd-surfers who didn’t go very far. It helps that Wolf Parade don’t have any standout leads. The few musicians near the front slapped the crowds hands at intervals. They didn’t play their MySpace music selections, arguably the only songs nearly everyone at the WOW recognized, until the encore, which was admirable. By then the crowd had been rocking out to their new stuff. The MySpace encore elevated the show to the next level.

My theory will be put to the test again with more shows in Portland and Eugene this fall. Currently on tap for Eugene: Built to Spill, Bright Eyes, Arctic Monkeys, Frank Black, Architecture in Helsinki. On tap for PDX: Patrick Wolf and Broken Social Scene.

The theory stands, for now.

UPDATE: For a dissenting opinion (you have to read to the end), go here.