You Should've Been There: Cat Power [McDonald Theatre; 4/12/2008]

Going to see a Cat Power concert is like going to see Michelangelo's David or the Guggenheim Museum in Bilbao: Her voice is about as otherworldly beautiful as we're to find in this time, on this planet. And her show last Saturday at the McDonald Theatre certainly felt like we had gathered to witness this oddity of nature, this soul singer in the most purest sense, in a somewhat museum-like experience. VIEW MORE TEXT (by me) & PIX (by Todd Cooper) AFTER THE JUMP.

For starters, this was one of most subdued McDonald crowds I'd ever seen. Even with the venue at near capacity, the stillness in the audience was palpable. Everybody was craning their necks to follow Chan Marshall's every move (especially the very tall, shaved-head dude in the front, pictured above, who never took his eye off the singer). With the spotlight only used sparingly (Marshall has been known for her stagefright), Cat Power's mystique-level only heightened. Down in the front row, digital cameras and cameraphones were raised high in the air as Marshall strutted from stage left to stage right to stage center. I'm pretty sure many, many people have close-up shots of Chan on their hard drives from that night (or, if they were lucky to get a balcony seat, a wide-angle shot). Our own photographer, Todd Cooper, was also on the scene (all pix are his copyright, please give credit if you share).

The setlist for the night was pretty much culled straight from Cat Power's recent album, Jukebox. Consisting mostly of cover songs, the album isn't her strongest work. But it didn't matter on Saturday night, because we all came to hear the voice and to see her for ourselves. It was what I like to call "swaying music" and highly conducive to the cliched lighters-in-the-air thing. Funny then, that Cat Power had to get out her own lighter and flash it in the air before a handful of people brought out their own. The people were in a trance or something.

The ending to the show was probably the oddest I've seen in a while. As the band walked off-stage, Marshall named them off (in her mumbling manner) and then proceeded to pick up anything on the stage that was going to be tossed into the trash anyway and instead toss it into the crowd for "keepsakes." These items included a bouquet of flowers, setlists duct-taped to the floor, the lyrics to Cat Power's newest, unrecorded song (so new she needed the lyrics to it) and I think she even threw her plastic cup (that held the whiskey she wasn't supposed to be drinking) into the crowd. Cat Power took many bows. She didn't want to leave us. For a shy performer, she sure loves the attention.

JUDAH BAUER (of the Jon Spencer Blues Explosion) on guitar

APPALOOSA

Appaloosa opened the show (and naturally I missed it).
for the record, as far as my photos go: i honored the artist's request of NO FLASH ... despite the strobe light pulse of point & shoots you saw going off, i refrained from using mine. i'm sure a lot of folks (like some by the flickr photographer) got some great shots.
so i had like ONE song with a spotlight on chan. the rest were basically in the dark (backlit by very muted colored lights only). she is a shy one.
this shot's one of my favs
it was good to see her live but i was way too hyper to really enjoy myself. the mood was too quiet and mellow for me that night. barbara even got shushed. hahahah.
also, (since this was my first time seeing her live) i was REEEALLY hoping she would mix in more older material. this show was basically all Jukebox.
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Submitted by Todd Cooper on Mon, 04/14/2008 - 10:48.First, thanks for linking to one of my shots from the show as well as capturing me in action behind the tall bald guy. :) I was not as strong willed as Todd and succumbed to using flash a couple times when everyone else was doing so. But when Mr. Kesey came around to remind everyone about the artists' request, I complied for the rest of the show (and probably would have switched back anyway given that I generally don't like using flash for concerts).
I agree that it is idiosyncratic of Marshall to be so animated and engaging in her overall performance but then eschew the bright lights. But I guess idiosyncracy is why we love her.
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Submitted by CJY (not verified) on Tue, 04/15/2008 - 13:39.It should definitely be noted that the flashes really did come to a halt through the second half of the show. Cameraphones were still in the air (including that tall guy taking a pic every time Cat was directly in front of him). But it should also definitely be noted that the only way I could see Chan Marshall during the first few songs was thanks to the rogue flash photographers.
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Submitted by Chuck Adams on Tue, 04/15/2008 - 14:07.I disagree that jukebox is not her strongest work. I've been a fan since moon pix and I just love her covers. I would have liked to hear some older stuff mixed in but I thought her new stuff was great.
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